Starting with an idea that was based on John Carpenter's 'Dark Star', myself and Mark Simmons took the idea and turned it into a 12 minute written piece that pushed the ideas forward ideas about technology, terrorism and how do we know what is right and what is wrong.
TIMELINE
JULY 1st 2016Version 3 is completed. A version very nearly similar to the final version of the script
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July 10th 2016
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Recce for locations for The Bomb
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JULY 17th 2016Video Test of location for Green Screen space for the film
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JULY 18th 2016
Auditions for actor to play Dave Walker
13th August 2016 Costumes and Oracs (props) arrive from Phil Stevens, a science fiction model maker
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16th August 2016Costume Fitting and look at props
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22nd August 2016
2nd Green Screen test at Watermans Arts Centre Car Park with Sony FS7 camera
1st and 2nd September 2016
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Equipment Test of Ronin and running through with Cameraman and First AD
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*****SAT 3rd, Sun 4th and Mon 5th September******
Principal photography at Brentford BSS and Watermans Arts Centre
Sept 26th Editing begins on the footage
Editing begins with Phil Whitehead from Shooting People
October 23rd 2016
Phil Whitehead pulls out of the project dues to time constraints and the search for another editor goes on
October 26th 2016
Martin the Director decided to relearn Final Cut Pro X and do a 'dry cut' himslef of the footage to get the story across
****8th November 2016******
1st 'dry cut' of film finished. An assembly cut with order of shots complete tp show to VFX and sound.
11th November 2016
Mark Simmons starts to work again on the visual effects for the piece, after personal issues and technical problems have caused him to step away from the project for a while
16th November
Dimitris Makridis agrees to compose music, and incidental music to accompany the film based on an original score supplied by Mark Simmons
17th November
Tushar Manek , Marco Schilling agree to helping with post production audio mixing and sound design
29th November
John Weeks editor agrees to take the offline edit and create an online version with tweaks and adjustments to dramatic flow
9th December 2016
Dimitris, Marco and Martin go through musical tracks and incidental sounds for the piece and construct a timeline to apply to the finished article
15th April 2017
Clean edit completed for VFX artists to start working on the project
