Making 'THE BOMB" - Story of a Film
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Making the bomb

Storyline of a Film
Starting with an idea that was based on John Carpenter's 'Dark Star', myself and Mark Simmons took the idea and turned it into a 12 minute written piece that pushed the ideas forward ideas about technology, terrorism and how do we know what is right and what is wrong.

TIMELINE

JULY 1st 2016

​Version 3 is completed. A version very nearly similar to the final version of the script
script_the_bomb_v3_nad.doc
File Size: 60 kb
File Type: doc
Download File

July 10th 2016

Recce for locations for The Bomb

JULY 17th 2016

​​Video Test of location for Green Screen space for the film

JULY 18th 2016

Auditions for actor to play Dave Walker
Picture

13th August 2016

 ​​Costumes and Oracs (props) arrive from Phil Stevens, a science fiction model maker
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16th August 2016

Costume Fitting and look at props

22nd August 2016

2nd Green Screen test at Watermans Arts Centre Car Park with Sony FS7 camera

1st and 2nd September 2016

Equipment Test of Ronin and running through with Cameraman and First AD

*****SAT 3rd, Sun 4th and Mon 5th September******

​Principal photography at Brentford BSS and Watermans Arts Centre

Sept  26th  Editing  begins on  the  footage

Editing begins with Phil Whitehead from Shooting People
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October 23rd 2016

​Phil Whitehead pulls out of the project dues to time constraints and the search for another editor goes on
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October 26th 2016

Martin the Director decided to relearn Final Cut Pro X and do a 'dry cut' himslef of the footage to get the story across
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****8th November 2016******

1st 'dry cut' of film finished. An assembly cut with order of shots complete tp show to VFX and sound.

11th  November 2016

Mark Simmons starts to work again on the visual effects for the piece, after personal issues and technical problems have caused him to step away from the project for a while
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16th  November

Dimitris Makridis agrees to compose music, and incidental music to accompany the film based on an original score supplied by Mark Simmons
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17th  November

Tushar Manek , Marco Schilling agree to helping with post production audio mixing and sound design
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29th  November

​John Weeks editor agrees to take the offline edit and create an online version with tweaks and adjustments to dramatic flow
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9th December 2016

Dimitris, Marco and Martin go through musical tracks and incidental sounds for the piece and construct a timeline to apply to the finished article

15th April 2017

Clean edit completed for VFX artists to start working on the project

TO BE DONE: (12th Dec 2016)

FINAL VFX -  Lock off shots
SOUND CONSTRUCTION at LIPSYNC Facilty

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